There is, and if you are a musician with any kind of ambition, you need to know the difference!
Let’s take a closer look at each.
In general, musicians aren’t heavily involved in the world of music distribution. They can send their CD off to a service like CD Baby or TuneCore, choose what digital stores and streaming sites they want their music to be catalogued in, and then wait for their release to show up in those stores. Most of the heavy lifting is done on their behalf.
It takes a bit of time and a bit of money to do this, but there’s very little effort involved. You don’t have to negotiate and cut your own deals with individual outlets (can you imagine?). Moreover, there’s nothing saying that you could cut a good deal let alone any kind of deal with those companies.
If you want to seek out your own opportunities, you might take a more entrepreneurial approach to distribution. I will get to that a little later, but first, let’s explore what music marketing refers to.
In some ways, music marketing actually depends on distribution. Your music needs to be delivered to various physical locations and online apps and stores before it can be streamed, purchased, and listened to.
Once your music is available through your chosen outlets, you still need to deliver it to your fans. If they don’t know that your new album can be found in stores or on their favorite streaming site, they’re probably not going to go looking for it unprompted.
What do you do? Simple. This is when you would post to your social networks and send out an email campaign to your fans. This process can still be thought of as a form of distribution, but in essence, it’s also where marketing begins.
If distribution is the mostly hands-off process of getting your music into stores and outlets, marketing is the mostly hands-on process of promoting and exposing your music to the world. In other words, it requires effort.
So, where does the confusion come from?
When the internet and e-commerce were still new, getting your music online was kind of a big deal. Some albums saw immediate traction because people were looking for new music, and there was still novelty attached to purchasing it online.
But we have to be realistic. That doesn’t really happen on the same scale anymore.
There’s so much noise to cut through, and so much competition out there. Musicians can’t just put their music online and wait for the sales to drive a dump truck full of cash through their rehearsal space.
That’s why marketing is important. Without marketing, your fans (and your prospective fans) wouldn’t know anything about your music.
A Proposed Solution
If you’re ready to have your music distributed, it means that your latest album is recorded, mixed, mastered, pressed, and shrink wrapped. Congratulations! It’s time to celebrate!
But this isn’t the time to crack open the beers, fire up the BBQ and hang out on the porch for the rest of the year. No, you are sitting on a massive opportunity that will never come around again.
Once your CDs are out the door and off to the distribution company, you can start moving them further down the music release conveyor belt (figuratively speaking).
- You could take a photo of your shiny new CDs and post it to Instagram and Facebook (whet your fans’ appetite!).
- You could begin to tease your fans with sound clips, videos, lyrics, and song titles (if you do this, don’t just make it a one-time occurrence; do it many times leading up to the release of your CD).
- You could go to some of your favorite coffeehouses and shops in town and see if they would be willing to sell your CDs on consignment (this would be an example of an entrepreneurial approach).
And so on.
Bonus: What To Do Next
So you’ve sent your music off to the distribution company. You’ve teased the release of your new album. You’ve hosted a successful CD release party and you’ve already sold dozens of digital copies and several physical copies of your release. What next?
If you stop now, you will kill the momentum you’ve built up. Ideally, the marketing of your CD should begin months in advance of it being released (preferably six to 12 months), and continue for months after its release (some bands tour on the same release for 12 to 24 months).
Think of it as a campaign. It starts the moment you start writing new music, and it ends the moment you post the last bit of media from your promotional tour (not when you play the last note on tour).
If you’re going to run a campaign, you’re going to need a plan. You’re going to need to set goals and see your marketing initiative through to completion.
How do you do that? That’s another subject for another time. But don’t worry, there’s more to come.
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